slate_house_bh

by Noche

The wood-slate fence has jumped from being a simple signifier of “this house has been flipped” to becoming a part of the construction of the house itself. The above is a photo of an actual house in Boyle Heights being offered for rent at $2995 for 3 bedrooms.

Whereas previously the function of this fence was to shield its new, well-heeled owners from the insufficiently gentrified neighborhood, these wood-slates now are free to signify “flipped” no matter where they are placed on the home. (more…)

i hate art

by Asmodeus

Basically the art world exists to make money for a small number of people and to make a larger number of people feel like they’re cool. The first purpose is just capitalism. The second is an effect of capitalism, because only in a world as ridiculous as ours would standing around in mostly empty white rooms be considered a valid form of community. This probably sounds cynical, and in a way it is. But if you think about it, the fact that lots of people have nothing better to do with their “free” time than to stand around in mostly empty white rooms, rooms that make a huge amount of money for other people, is a good reason to destroy pretty much everything.

(more…)

Originally published on Ediciones Chafa on May 24th, 2016. Here we re-publish it so that it can continue to be accessible for those of us with a critical view on Art and its role under Capital.

the-broad-museum-opening-01.jpg

by Asmodeus

Eli Broad is a multibillionaire. He made his fortune constructing tract homes, which is to say by pumping hot air into the pre-2007 real estate bubble. Later he moved into life insurance as well. Some of that money ended up bailing out LA’s Museum of Contemporary Art (MOCA) around the time the housing market was going south – the museum had been hemorrhaging funds for years. It was a maneuver that some have described as closer to a hostile takeover than an act of philanthropy. Notably, Broad’s intervention was closely tied to the arrival of a new director – the gallerist Jeffrey Deitch – who fired the museum’s widely admired chief curator, Paul Schimmel, in 2012. Other wads of cash ended up at the Los Angeles County Museum of Art (LACMA) – where the donor had Renzo Piano build the quasi-autonomous Broad Contemporary Art Museum – as well as the Los Angeles Opera, which promptly used the funds to stage a full production of Wagner’s Ring Cycle. These actions, among others, won Broad a reputation in the art world as LA’s resident Maecenas-cum-Evil Emperor, with Deitch, perhaps, playing the role of a bumbling Darth Vader.

(more…)

valparaiso

Originally published in Spanish by Comunidad de Lucha (Chile) on Febr. 2nd 2018. The original text can be found here. It says in a clear and propagandistic way what Gilles Dauvé said in an long essay we recently translated here.

Vacations make up the most anticipated moments of the year for most of us who work to get-by in this society. It’s the time when we cast off the burden of work and its stressful competitiveness so that we may dive into our own interests, and to finally feel free to do what we want.

(more…)

ditching_foo

by Noche

So like back in 2016 I wrote a text about anti-work and Chicanxs/Mexicans and I’d like to share this excerpt since talking about 90s ditch parties is now in vogue though they are often spoken of apolitically. Here I attempted to bring it into the realm of antiwork/refusal of labor, or maybe it could even be thought of as a kind of destituent power as the The Invisible Committee like to talk about. Trying to get the fuck out of this world & have a good time, instead of trying to save it.

(more…)

juanrulfo

What follows is a long essay by the French communization theorist, Gilles Dauvé. It is a long read, a read which varies in content and tone but a text which masterfully summarizes the communist critique of work. The original can be found here at Troploin. He also dutifully notes that without the abolition of work there can be no communist revolution or communism. We hope you enjoy reading this as much as we enjoyed translating it. ¡A la chingada con el trabajo!

Here you will find a lightly modified chapter 3 from the book “From Crisis to Communization” published in 2017 by Editions Entremonde.

False construction sites

Building-Freeways-Image-8-1

In 1997, in the French department of Sarthe, some 20 workers were constructing a section of highway under the direction of an engineer employed by a large company, BTP. After two months the engineer was arrested: no one had ordered the work that was partially done, which with an initial financing, the false construction site manager had successfully hoodwinked both banks and public organizations. Between 1983 and 1996, Philippe Berre had been convicted 14 times for ordering false construction sites. In 2009, “The Beginning,” a film inspired by this whole adventure was released, displaying a population struck by unemployment which briefly found work and hope. Phillippe Berre was not motivated by personal gain, but rather by the need to do, to be of use, to reanimate a group of workers. In 2010, once again, he took on this role while helping those affected by Cyclone Xynthia.

(more…)