The wood-slate fence has jumped from being a simple signifier of “this house has been flipped” to becoming a part of the construction of the house itself. The above is a photo of an actual house in Boyle Heights being offered for rent at $2995 for 3 bedrooms.
Whereas previously the function of this fence was to shield its new, well-heeled owners from the insufficiently gentrified neighborhood, these wood-slates now are free to signify “flipped” no matter where they are placed on the home. (more…)
Basically the art world exists to make money for a small number of people and to make a larger number of people feel like they’re cool. The first purpose is just capitalism. The second is an effect of capitalism, because only in a world as ridiculous as ours would standing around in mostly empty white rooms be considered a valid form of community. This probably sounds cynical, and in a way it is. But if you think about it, the fact that lots of people have nothing better to do with their “free” time than to stand around in mostly empty white rooms, rooms that make a huge amount of money for other people, is a good reason to destroy pretty much everything.
Originally published on Ediciones Chafa on May 24th, 2016. Here we re-publish it so that it can continue to be accessible for those of us with a critical view on Art and its role under Capital.
Eli Broad is a multibillionaire. He made his fortune constructing tract homes, which is to say by pumping hot air into the pre-2007 real estate bubble. Later he moved into life insurance as well. Some of that money ended up bailing out LA’s Museum of Contemporary Art (MOCA) around the time the housing market was going south – the museum had been hemorrhaging funds for years. It was a maneuver that some have described as closer to a hostile takeover than an act of philanthropy. Notably, Broad’s intervention was closely tied to the arrival of a new director – the gallerist Jeffrey Deitch – who fired the museum’s widely admired chief curator, Paul Schimmel, in 2012. Other wads of cash ended up at the Los Angeles County Museum of Art (LACMA) – where the donor had Renzo Piano build the quasi-autonomous Broad Contemporary Art Museum – as well as the Los Angeles Opera, which promptly used the funds to stage a full production of Wagner’s Ring Cycle. These actions, among others, won Broad a reputation in the art world as LA’s resident Maecenas-cum-Evil Emperor, with Deitch, perhaps, playing the role of a bumbling Darth Vader.
This text was first written in 2016 and has been re-vised and we felt it would be worthwhile to re-publish its re-visioning.
UN EJEMPLAR ORIGINAL DE EDICIONES INÉDITOS
originalmente publicado en inglés el 23 de enero 2017
Trump ya ha tomado el puesto de presidente de los EEUU y los de la Izquierda y los liberales han salido en masa para denunciarlo, incluso congresista & líder de derechos civiles, John Lewis, quien lo toma como ilegítimo. Pero lo toma como ilegítimo no por que, cual como dice, no porque Trump tiene una agenda racista, sexista, aislacionista, ultra-nacionalista o anti-gay pero porque piense que es el sujeto de una conspiración rusa. (Aunque hemos tenidos presidentes que han sido amos de esclavos, violadores, líderes de genocidio, fervorosamente anti-gay y por lo tanto han cumplido sus términos sin reproche.) Otros lo reprenden como un neo-fascista quien quiere rehacer 1939 sobre el territorio estadounidense. La Izquierda radical estadounidense clama para revivirse y crecer sus números. Pero por lo tanto este Izquierda radical ha decidido, cada vez más, usar el lenguaje de la política en vez de una lenguaje de la revuelta (o revolución). A vez en cuando este Izquierda radical habla del comunismo como un conjunto de asuntos cual los proletarios deben acostumbrarse, en vez de ser el medio por cual los proletarios van a liberarse.
AN EDICIONES INÉDITOS ORIGINAL
Trump has been sworn in, the Left and Liberals have come out in droves to denounce a president whom Congressman & Civil Rights Leader , John Lewis, has declared illegitimate. Though the grounds for illegitimacy, as he states, are not necessarily based on Trump’s racist, sexist, isolationist, ultra-nationalist, anti-queer agenda but rather that he is the subject of a Russian conspiracy. (Though we have had presidents who have been slave-owners, rapists, leaders of genocide, fervently anti-queer and yet they were able to complete their terms.) Others more generally decry Trump as a Neo-Fascist set to bring 1939 onto American soil. The U.S. Radical Left clamors to revive itself and swell its numbers. Though this Radical Left has chosen, more and more so, to speak the language of politics rather than of revolt (or revolution). This Radical Left sometimes speaks of communism as a set of affairs to be installed, and to which proletarians must be won over to, rather than the means by which proletarians will free themselves.